As
I probably mentioned on this blog before, I’m a native of Buffalo, New
York. I still live there and I find the
history of the city fascinating. I love
finding old photos of Buffalo, and I’m always pleasantly surprised when I find
an old picture of Buffalo in a mainstream publication. While looking through a book on photographic
history not long ago I came across this photograph taken by I. Russell
Sorgi. Taken on May 7, 1942 and called Suicide (also referred to as Genesee Hotel Suicide or The Despondant Divorcee), it is a disturbing photo that captures
an event that no one would voluntarily choose to witness:
A
little background information might be useful before I go on. The photo was taken in front of the Genesee
Hotel that stood on the corner of Genesee and Pearl Streets in downtown Buffalo
(more on the building a little later on).
It shows a woman named Mary Miller falling to her death after jumping
from an eighth story window. Captured
just a fraction of a second before Miller’s violent end, the photo made
headlines and became well-known nationally after it was reprinted in Life magazine a few weeks after the
incident. The photographer was
I(gnatius) Russell Sorgi, a staff photographer for Buffalo’s Courier Express
newspaper. Sorgi happened to be close by
when the events at the Genesee Hotel were unfolding, and he explained the
origins of the photo afterwards:
“I
snatched my camera from the car and took two quick shots as she seemed to
hesitate…As quickly as possible I shoved the exposed film into the case and
reached for a fresh holder. I no sooner
had pulled the slide out and got set for another shot than she waved to the
crowd below and pushed herself into space.
Screams and shouts burst from the horrified onlookers as her body
plummeted toward the street. I took a
firm grip on myself, waited until the woman passed the second or third story,
and then shot.”
Reading
the quote over 70 years after the fact, Sorgi’s account can seem a little
callous. His description of the event
seems indifferent to the plight of Mary Miller, but his words really underscore
the difference between photography then and now. People in the 1940s owned cameras, but they
were used for special occasions. They
would take their cameras on vacations or to birthday parties, but didn’t take
them to work with them. There were other
witnesses to this particular event (a woman in uniform, believed by some to be
a meter maid, is rushing into the building, and the waiter in the coffee shop
seems aware of a commotion outside) but none of them would have had cameras
with them. Sorgi was perhaps the only
person in the immediate area with a camera at the ready, and he realized that
the picture he took was different than other crime photos of the day. Since photography was a more complicated
process back then (through Sorgi’s description you can tell that his camera was
definitely not point-and-shoot) and most photos of crimes or tragedies were
taken after the event had already occurred.
This photo is a great example:
That
photo, taken after a train accident at Montparnasse Station in Parisin 1895, really
illustrates how documentary photos worked back then. Photo could be a time-consuming process and
cameras were bulky, so they were often brought in to document the aftermath of
an event. In the above photo, the event
had already happened. This makes it no
less disturbing, for sure, but by the time the photo was taken the train was
essentially debris waiting to be cleaned up.
Sorgi captured Murray’s tragic suicide while it was happening. Catching something like this (however
gruesome) was extremely rare and Sorgi was literally in the right place at the
right time. He knew capturing this moment in this way was a once-in-a-lifetime
opportunity. We tend to take photography for granted and
treat it as something that everyone has access to. A recent tragedy that really illustrates the
difference between then and now is the Boston Marathon bombing. Literally hundreds of people were recording
the finish line before and after the attack, creating an almost continuous
record of the bombing and its aftermath.
Sorgi’s words may seem seem a little harsh, but perhaps we can forgive him a
little for realizing that he was both witness to, and sole recorder of, a
tragic event.
After
discovering the photo, I was interested in finding out where it had taken
place. The sign for the Genesee Hotel is
clearly visible in the photo, and Genesee Street is a major street in downtown
Buffalo (although it’s been altered quite a bit since the photo was
taken). There’s a major hotel there
today (the Hyatt) and I assumed that this is where the event had taken
place. But after studying the
architecture of the Hyatt (originally called the Genesee Building) I know that
wasn’t the place. The first floors of
the Hyatt are glass and bronze, not the brick and concrete visible in the Sorgi
photo. After doing a little digging I found
this postcard reproduced on the Buffalo Police Department website:
 |
| Arrow added by the Buffalo Police Department |
That
image shows a building attached to the Buffalo YMCA building (on the left) that
matches the lower floors of the building visible in the Sorgi photo. There’s a ledge at the eighth floor (Miller
was described as jumping from an eighth story ledge) and a different photo
taken after Sorgi’s clearly shows the YMCA in the background.
I
was able to find another old photo that shows where the building stood in
relation to the surrounding buildings, some of which are still there.
 |
| This photo shows the Genesee Building (now the Buffalo Hyatt) on the right, the white Victor and Co. building in the center (since demolished) and the Genesee Hotel to the left (outlined in red). |
The
building doesn’t exist anymore. The most
recent photo I was able to find of the old Genesee Hotel (that was later used
as the YMCA Men’s Hotel) was from 1978.
It looks as if the building is in the early stages of demolition here:
 |
| The low building blocking the YMCA is the Buffalo Convention Center. The entrance to the Genesee Hotel (at this point the YMCA Men's Hotel) seems partially boarded up. |
I
visited the site recently and it’s changed quite a bit. The YMCA is still there, but the grand
entrance that once faced Genesee Street is now found crammed into an
alley. Genesee Street was removed during
the construction of the much-maligned Buffalo Convention Center, and the north
entrances to the convention center now sit where Genesee Street once did. The spot where the Genesee Hotel stood it now
occupied by a modern office building and courtyard, and it’s hard to get a sense of
where exactly the tragedy took place.
The sidewalk has been widened, and the removal of Genesee Street (which
ran diagonally across Pearl Street) makes it hard to get a sense of how the
building sat in relation to the street.
 |
| The once grand entrance to the YMCA is now banished to a narrow alley |
|
 |
| The entrance to the Genesee Hotel visible in Sorgi's photo stood roughly where this courtyard is now. |
 |
| The Genesee Hotel stood to the right from this viewpoint. The elevated walkway to the left connects the Convention Center to the Hyatt across the street |
 |
| This isn't and exact side-by-side comparison, but it really shows how much the street has changed since 1942. |
We
tend to take photos of every moment of our lives now. New technology is being developed that will
actually take photos of our surroundings constantly, so we never have to miss
anything. The problem with that is that
most of our lives are pretty ordinary.
It’s the rare and special moments in our lives that we want to remember,
and that’s what photo used to be saved for.
You brought out the camera to commemorate those special times. Sorgi’s photo functions in that way too, but
on a much darker scale. Tragic moments in
life occur as well, and sometimes these moments are over in an instant. When captured at just the right time, they
can serve as horrifying reminders of tragedy and loss.
Next time, a new (and hopefully happier) topic. It might be something you've never heard of.
