Memory is an odd thing.
An image of something glanced in passing can stick in our heads like a
song we keep humming to ourselves. What
follows is an exploration (perhaps a somewhat obsessive one) of one such
memory.
In May of 2009 I travelled to Montreal as part of my
honeymoon. While exploring the city with
my new wife I happened across this building:
I noticed it our first night in town while we were
looking for a bite to eat. We had just
arrived in Montreal and wanted to find some food after the long drive from
Buffalo. We eventually settled on a
grocery store on Rue Sainte-Catherine directly across the street from the building pictured
above. It stood out to me because it
seemed so out of place among its otherwise nondescript neighbors. This stretch of street is relatively
ordinary as big city streets go, filled with commercial storefronts that are
more utilitarian than pretty or interesting.
This little building, though, was different. A monumental mural decorates the second floor,
wrapping around the corner to face Rue Sainte Christophe. Almost alien considering the surroundings,
the strange abstract symbols cast in concrete caught the attention of the
artist in me. What was this place? Who
had designed the building and the mural?
What does the mural symbolize, if anything? Are the figures meant to be human or animal,
or something else altogether?
During my stay in Montreal, I would see the building many
more times. We stayed in a bed and
breakfast near Rue Sainte-Catherine, and every morning while walking to the nearest
metro station, we passed by this strange little structure. When we returned to our hotel in the evening
I would see it again, its enigmatic figures greeting me as I exited the
Berri-UQAM metro station. After leaving
Montreal, my curiosity about the building didn’t fade away. When I started this blog last year, I thought
it would be the perfect opportunity to explore it a little further and perhaps answer
some of the questions I had.
The first thing I had to do was find it again. I mention street names and more exacting
locations above, but to be honest I only had a rough idea of where the building
was when I started this research late last year. I knew the building was near the Berri-UQAM
metro stop, so I started there (we used this station a lot while we were in
town, so I remembered the name). Often
on this blog I talk about how researching topics in print form can be better
than searching on-line, but this was one time that the Google Maps satellite
view really came in handy. It only took
a few moments of scanning the immediate area around the metro stop before I
found it, the strange mural visible even from the air. When switching to street view, I was able to
once again revisit (albeit virtually) the building I remembered so well from a
few years before.
The mural is indicated by the red arrow |
Figuring out when the building might have been built
(perhaps a clue to the designer) was pretty much a no brainer. No. 858 wears its mid-century brutalism on its
sleeve like a badge of honor. The mostly
unadorned block shape, the brown brick, and the rough aggregate concrete
decoration all indicate that the building was built in the 1950s or 60s. Brutalism isn’t universally loved by the
public (or art historians, for that matter) and brutalist buildings can be
awkward or downright ugly (it’s called brutal for a reason). The architect who designed this building
tried to temper the harsh unadorned walls by adding the decorated frieze. Since the rest of the building is so austere,
the frieze becomes the main focal point, drawing the viewer’s eyes across the
entire façade. I initially thought that
this unique feature would be my point of entry into the history of the
structure. This massive decoration (at
least 8 feet tall and 20 or more feet long) had to be designed by someone, right? Surely there would be
record of the artist somewhere.
Initially I did have some success researching the recent
history of the building. Since the late
90s, it has been the home of Stereo Nightclub.
Stereo is globally respected as possessing one of the best sound systems
in the world. Naturally, all of the
press on Stereo that I found on-line discusses the above-mentioned sound system
as well as acts who have performed at the club, not the architecture of the
building, so this knowledge only got me so far.
I also discovered something a little sadder- no. 858 was the victim of a
pretty severe fire a few years ago. The
fire occurred in 2008 and was ruled an arson.
From rumors I read on-line, a rival club in Montreal hired a biker gang
to torch the place. Apparently the club
scene in Montreal is more cutthroat than I imagined! Stereo was closed because of the fire when I
was originally visiting the city but has since re-built and re-opened (the
entire interior was re-done, but the outside remains unchanged). Here’s a short YouTube video of the fire. The
sculpted mural is visible to the right.
Searching for information on Stereo Nightclub only yielded
music and fire related items, so I had to try to research the building in
different ways. Googling the address (858
Rue Sainte Catherine) mostly brings up information on Stereo, so another tactic
would be necessary. But without the name
of an architect or designer to search for I knew it wasn’t going to be
easy. I suspected that the building used
to be a theater (perhaps a movie theater) but again I had no specifics and was
only going on hunches. Thus began a
series of blind Google searches that have (as of this date) yielded little
information and have turned up some enigmatic dead ends.
To begin searching, I Googled some basic terms I thought
might work:
Montreal Architecture
Montreal strange architecture
Montreal theater architecture
Montreal modern architecture
Montreal concrete decoration
Montreal cement decoration
And so forth. You
get the idea. Thus began my journey down
the Google rabbit hole. Searching for
notable buildings in Montreal on Google is tricky because so much of the
information you get is on Buckminster Fuller’s Expo 67 pavilion or Moshe Safdie’s Habitat 67 (notable structures, for sure, but not useful to me here). I searched through pages of Montreal history
and looked at countess flickr portfolios of the city. I looked for Canadian architects who were active
in the 50s and 60s (I was, and still am, working under the assumption that the
architect is Canadian). This led to names
that I researched using multiple search engines, which in turn often led to
other names and artists. Nothing. Montreal’s subway was built up mostly in the
60s and 70s, and is heavily adorned with public art, so I researched every
metro station in the system looking for art that had affinities to the mural on
no. 858. Again, nothing. The desk in my office is currently littered
with pieces of paper listing the names of architects and architectural firms
that were once a possibility. Each one is
now a dead end.
While searching, I discovered that Google has an option
that lets you search visually, and thought this could be helpful. You can upload an image to the site, then ask
it to search for similar images. Maybe
it was worth a shot. I entered the
Google Maps street view and took a screen capture of part of the mural (the
small part facing Rue Sainte Christophe- the mural facing the main street is
partly obscured by trees). I used
Photoshop to remove the distortion and ended up with this:
I uploaded the image to Google image search and crossed
my fingers- maybe I was finally about to get some answers. I ended up with this:
It’s good to know that the mural apparently has visual
affinity to naked mannequins (probably not what the artist intended) and it
seems that Google can at least identify it as part of a building, but it was
yet another dead end.
I was just about to give up hope when I finally stumbled
across actual, seemingly accurate information about the building on a website
called Cinema Treasures. It was a movie
theater! I was right! Now let’s find out who designed this thing-
oh wait, it doesn’t say here. But it
does give a short history of the building, which I present here:
In 1990 Famous Players sold the theater and it became Cinema Quartier Latin. The 603-seat theater closed in 1994.
After finding this, I was finally able to refer to the
building by its proper name: The Fleur de Lys Theater. This definitely gave me some satisfaction,
but not enough. The site lists the
building as being constructed in 1967 but that date isn’t verified, nor is it
listed where that information came from.
The name Michel Custom belongs to a promoter or manager, I think, not an architect. Since this is a website dedicated to old movie houses, I tend to trust
the information, but I still had a lot of questions that couldn’t be answered
here. But I did have a name, and that
was a huge step forward in my journey.
Now I could search the web more exactly, and look in books on
architectural history and perhaps find some info.
At this point, all I can say with certainty is that this
building is Montreal’s Fleur de Lys Theater. It was probably built in
1967. Armed with this information I
could focus my on-line searches and start looking for print evidence. Surely I would be able to finally discover the
name of the architect who designed this strange little building, as well as
what the mural is meant to symbolize (my current theory is that it’s landing coordinates
for the alien motherships, in which case we’re all doomed).
Next week, the story of my slightly more directed (but no
less confounding) search continues.
le mystère des fresques...c'est simple...c'est des partis du pavillion du Guatemala ou El Salvador qui a jamais été batis pour l'expo 67...à cause du manque d'argent du pays
ReplyDeleteSalut,
Deletej'aimerais savoir plus à propos de cette information, pourriez-vous m'aider? Merci!
I heard that this old theater has already won awards for acoustics...we could see the original sound panels all around the theater when club (((stereo)) opened some panels were made of asbestos.....there pictures somewhere before the build the club
ReplyDeleteTrès intéressant!!! Merci!!!
ReplyDelete